Blue and White Ornament

$30.00

This festive blue and white confetti holiday ornament was hand blown by the artist.

4" Diameter

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Driftwood Warp and Weft Dishes triangle, square, rectangle

Driftwood Warp and Weft Dishes

$180.00

These bold geometric glass dishes are handmade by cutting and stacking many narrow strips of colored glass in a design reminiscent of the warp and weft of a loom. The glass has a satin finish and is food safe. Not microwave or dishwasher safe. Sold separately.

Triangle dish 10" x 10" x 1"

Square dish 12" x 12" x 2"

Rectangle platter 15" x 6" x 1.5"

Triangle and Square available now. Rectangle ships within 3 weeks.

STATEMENT
I have always been interested in patterns. The more geometric and complex, the better. I was initially seduced by the fluid nature of glassblowing, but found kiln-forming to be a better way to explore my ideas. Whenever possible, I use both techniques. Kiln working helps to create strong lines and precise shapes while glassblowing adds an element of fluidity and unpredictability. I think that it's important to have a connection with the objects in our lives, there is so much mass production and impersonalization in the world. I want to make beautiful objects that have a place in everyday life.

I have always been a maker. As long as I can remember I have had a desire to build and create things. I have never been able to sit still for long, or passively watch something. My attention wanders, I fidget, I start making origami cranes out of gum wrappers, I fantasize about my next creation, even when I am not finished with what I am currently working on. At least until I started woking in glass. Glass demands all of my attention for every second I am working (and plenty of time when I'm not). I think that I have it all figured out, and something new happens. I never rest on my laurels or become bored, because there is always something new. New challenges, new techniques, new disappointments, new solutions. I am always in motion, and that's just how I like it.

BIOGRAPHY
Gayla Lee uses glassblowing, kiln-forming and cold-working techniques to explore patterns and geometry in glass. She apprenticed with Baltimore glassblower, Anthony Corradetti and has studied at The Studio of the Corning Museum of Glass under many artists, including: Mark Ditzler, Yoko Yagi, Josh Simpson and Davide Salvadore. Ms. Lee was the Artist in Residence at The Corning Museum of Glass in May of 2010. She currently lives in Annapolis, Maryland where she maintains her studio and gallery and runs the glass program at Maryland Hall for the Creative Arts.

Elemental Bowl, opal/orange/yellow, detail

Elemental Bowl

$125.00

"The Elemental series is focused on the relationships between colors. Chemically, I layer colors that do not work well together, and the result is something similar to that of oil and water. While each reaction is unique, I am able to control the density of the reactions from years of careful experimentation. It is easy to get lost in the intricate and subtle patterns as you look closer."--David Royce

This hand blown sculptural bowl is sand etched by the artist. One-Of-A-Kind. In opal/orange/yellow.

5.5" D x 4" H

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Elemental Spheres

$75.00

"This series is focused on the relationships between colors. Chemically, I layer colors that do not work well together, and the result is something similar to that of oil and water. While each reaction is unique, I am able to control the density of the reactions from years of careful experimentation. It is easy to get lost in the intricate and subtle patterns as you look closer."

These one-of-a-kind, hand blown, sand etched sculptural paperweight spheres are available in several colorations.

3" x 3"

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Green and Gold Ornament

$30.00

This festive emerald green and gold holiday ornament was hand blown by the artist.

4" Diameter

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Ivory Warp and Weft dishes, triangle, square, rectangle

Ivory Warp and Weft Dishes

$180.00

These bold geometric glass dishes are handmade by cutting stacking many narrow strips of colored glass in a design reminiscent of the warp and weft of a loom. The glass has a satin finish and is food safe. Not microwave or dishwasher safe. Sold separately.

Triangle dish 10" x 10" x 1"

Square dish 12" x 12" x 2"

Rectangle platter 15" x 6" x 1.5"

Ships within 3 days.

STATEMENT
I have always been interested in patterns. The more geometric and complex, the better. I was initially seduced by the fluid nature of glassblowing, but found kiln-forming to be a better way to explore my ideas. Whenever possible, I use both techniques. Kiln working helps to create strong lines and precise shapes while glassblowing adds an element of fluidity and unpredictability. I think that it's important to have a connection with the objects in our lives, there is so much mass production and impersonalization in the world. I want to make beautiful objects that have a place in everyday life.

I have always been a maker. As long as I can remember I have had a desire to build and create things. I have never been able to sit still for long, or passively watch something. My attention wanders, I fidget, I start making origami cranes out of gum wrappers, I fantasize about my next creation, even when I am not finished with what I am currently working on. At least until I started woking in glass. Glass demands all of my attention for every second I am working (and plenty of time when I'm not). I think that I have it all figured out, and something new happens. I never rest on my laurels or become bored, because there is always something new. New challenges, new techniques, new disappointments, new solutions. I am always in motion, and that's just how I like it.

BIOGRAPHY
Gayla Lee uses glassblowing, kiln-forming and cold-working techniques to explore patterns and geometry in glass. She apprenticed with Baltimore glassblower, Anthony Corradetti and has studied at The Studio of the Corning Museum of Glass under many artists, including: Mark Ditzler, Yoko Yagi, Josh Simpson and Davide Salvadore. Ms. Lee was the Artist in Residence at The Corning Museum of Glass in May of 2010. She currently lives in Annapolis, Maryland where she maintains her studio and gallery and runs the glass program at Maryland Hall for the Creative Arts.

Ocean Warp and Weft dishes triangle, square, rectangle

Ocean Warp and Weft Dishes

$180.00

These bold geometric glass dishes are handmade by cutting stacking many narrow strips of colored glass in a design reminiscent of the warp and weft of a loom. The glass has a satin finish and is food safe. Not microwave or dishwasher safe. Available now, sold separately.

Triangle dish 10" x 10" x 1"

Square dish 12" x 12" x 2"

Rectangle platter 15" x 6" x 1.5"

Rectangle available now, Triangle and Square ship within 3 weeks.

STATEMENT
I have always been interested in patterns. The more geometric and complex, the better. I was initially seduced by the fluid nature of glassblowing, but found kiln-forming to be a better way to explore my ideas. Whenever possible, I use both techniques. Kiln working helps to create strong lines and precise shapes while glassblowing adds an element of fluidity and unpredictability. I think that it's important to have a connection with the objects in our lives, there is so much mass production and impersonalization in the world. I want to make beautiful objects that have a place in everyday life.

I have always been a maker. As long as I can remember I have had a desire to build and create things. I have never been able to sit still for long, or passively watch something. My attention wanders, I fidget, I start making origami cranes out of gum wrappers, I fantasize about my next creation, even when I am not finished with what I am currently working on. At least until I started woking in glass. Glass demands all of my attention for every second I am working (and plenty of time when I'm not). I think that I have it all figured out, and something new happens. I never rest on my laurels or become bored, because there is always something new. New challenges, new techniques, new disappointments, new solutions. I am always in motion, and that's just how I like it.

BIOGRAPHY
Gayla Lee uses glassblowing, kiln-forming and cold-working techniques to explore patterns and geometry in glass. She apprenticed with Baltimore glassblower, Anthony Corradetti and has studied at The Studio of the Corning Museum of Glass under many artists, including: Mark Ditzler, Yoko Yagi, Josh Simpson and Davide Salvadore. Ms. Lee was the Artist in Residence at The Corning Museum of Glass in May of 2010. She currently lives in Annapolis, Maryland where she maintains her studio and gallery and runs the glass program at Maryland Hall for the Creative Arts.

Red and White Glass Sculpture

$1,800.00

This one-of-a-kind, handblown glass two-piece sculpture was cold-worked and sandblasted to achieve the finished piece. The slightest natural light causes the red matte glass to appear to glow from within.

18" x 13" x 6"

Available now.

by David Royce

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Red, Orange and White Ornament

$30.00

This festive red, orange and white holiday ornament was hand blown by the artist.

4" Diameter

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Red, White and Green Ornament

$30.00

This festive red, white and green confetti holiday ornament was hand blown by the artist.

4" Diameter

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Ripple Bottle

$225.00

This hand-blown glass bottle is cold worked and sand etched by the artist to create the final, one-of-a-kind piece. In blue.

14.25" H x 6.5" D

Ship within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Silver Leaf Tumblers

$25.00

These tumblers are hand-blown using recycled glass. A patch of genuine silver leaf applied to the exterior adds individuality and bling. Totally functional and eco-friendly. Dishwasher safe. Choose from 3 great colors.

5.5" H x 3.5" D

Ship in 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Silver Leaf Votives

$25.00

These votives are hand-blown using recycled glass. Patches of genuine silver leaf applied around the exterior adds individuality. Totally functional and eco-friendly.

3.75" x 3.75"

Ships within 7 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Smoke Ornament

$30.00

Greys are prominent in this hand blown glass ornament. Yours will vary slightly from the piece shown.
4" diameter, 5" overall

Ships within 3 days.

STATEMENT
Any particular day usually begins and ends with glass. Dancing with molten glass is customary, although the dance changes from one day to the next. The unlimited possibilities of the glass blowing process is challenging in itself. What will I make today? And how about tomorrow? Blowing glass requires skill and experience, as the process is very immediate. I enjoy working my glass hot. I have the freedom of transforming 2100 degree molten glass to a piece of art, ready for use the following day. Glass has a reflective quality unlike any other medium and I love the pure translation of color. Creating art is taking risks by defining something original from your perspective and skill. Glass-blowing is both my passion and my lifeline.

BIOGRAPHY
Born in Iowa and raised in Minnesota, Thomas Maras has been blowing glass for nearly twenty years and has been creating glass art in the twin cities since 1998. He holds a BA from Minnesota State University-Moorhead. While there, he met his future wife Rebecca in a ceramics class.

White, Green and Purple Ornament

$30.00

Purple flecks highlight this festive white and green holiday ornament. Hand blown by the artist.

4" Diameter

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Wine Bottle

$225.00

This hand-blown sculptural wine bottle is a striking example of the master glass blower's craft. Sand etched by the artist to create a matte finish. One-of-a-kind. Lime

15" H x 4.5"

Ships within 3 days.

STATEMENT
In my work I use traditional glass blowing techniques to achieve a variety of both sculptural and functional forms. My approach to glass relies heavily on layering of colors and extensive cold working and carving to reveal those colors.

BIOGRAPHY
In 2000, at the age of fifteen, David Royce began glassblowing as an apprentice for Tom Rine and Thomas Maras at Island Glass Studios in Minneapolis. During his last two years of high school he continued to work at Island Glass and also attended Anoka Ramsey Community College in Minneapolis, where he studied studio glass blowing for three semesters.
Royce continued his studies at the University of Wisconsin: River Falls in 2002, with the intention of earning a Bachelor of Fine Arts degree in glass. However, his direction changed during his sophomore year while on a glassmaking study abroad program in Taiwan. This experience broadened his horizons and when he returned to Minneapolis he decided to take time off from glassblowing and began studies at the University of Minnesota. He earned his Bachelor of Arts degree in child psychology, with a minor in Chinese language and literature in 2006.
In 2005, he re-discovered his passion for glass-making and joined Foci: Minnesota Center for Glass Arts, where he began working as studio manager and instructor. Since graduating from the University of Minnesota in 2006, Royce has been a full-time independent glass artist.

MORE
When working with traditional forms that are referentially functional, Royce features clean forms that set the stage for a combination of contrasting techniques. The vessels have a sandblasted surface with a luminous semi-transparency, contrasted by sections of opaque colored glass in organic, asymmetrical patterns. The opaque areas are accented with carving. Royce has a unique approach to cold-work. Often, cold-work stresses a precision that adds a quality of mechanical perfection to a piece. However, Royce uses cold-working in lively and unexpected ways that express movement and depth in each piece.

Art Glass

Modern art glass handblown in the U.S.A. by contemporary American artists.